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Portfolio


Welcome to my website, I am an aspiring designer of things - trained as a Visual Communicator, let’s work together…

Portfolio


Welcome to my website, I am an aspiring designer of things - trained as a Visual Communicator, let’s work together…

 
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 Food for Thought  _____  Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

Food for Thought

_____

Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

 Food for Thought  _____  Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

Food for Thought

_____

Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

 Food for Thought  _____  Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

Food for Thought

_____

Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

 Food for Thought  _____  Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

Food for Thought

_____

Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

 Food for Thought  _____  Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

Food for Thought

_____

Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

 Food for Thought  _____  Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

Food for Thought

_____

Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

 Food for Thought  _____  Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

Food for Thought

_____

Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

 Food for Thought  _____  Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

Food for Thought

_____

Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

 Food for Thought  _____  Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.

Food for Thought

_____

Editorial/Photography project exploring family and food. This project celebrates my grandmother’s story through WWII and how that has framed my family’s food heritage.


 Designed Dissertation Essay  _____  In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.  Can designers contribute meaningfully to the impeding challenges of technology?

Designed Dissertation Essay

_____

In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.

Can designers contribute meaningfully to the impeding challenges of technology?

 Designed Dissertation Essay  _____  In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.  Can designers contribute meaningfully to the impeding challenges of technology?

Designed Dissertation Essay

_____

In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.

Can designers contribute meaningfully to the impeding challenges of technology?

 Designed Dissertation Essay  _____  In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.  Can designers contribute meaningfully to the impeding challenges of technology?

Designed Dissertation Essay

_____

In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.

Can designers contribute meaningfully to the impeding challenges of technology?

 Designed Dissertation Essay  _____  In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.  Can designers contribute meaningfully to the impeding challenges of technology?

Designed Dissertation Essay

_____

In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.

Can designers contribute meaningfully to the impeding challenges of technology?

 Designed Dissertation Essay  _____  In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.  Can designers contribute meaningfully to the impeding challenges of technology?

Designed Dissertation Essay

_____

In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.

Can designers contribute meaningfully to the impeding challenges of technology?

 Designed Dissertation Essay  _____  In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.  Can designers contribute meaningfully to the impeding challenges of technology?

Designed Dissertation Essay

_____

In this piece I explore and analyse how the increase of screen time in the formative years may effect education and therefore society as a whole.

Can designers contribute meaningfully to the impeding challenges of technology?


 Instagram Video content for Ted Baker  _____  Ted Baker’s HQ has a unique atmosphere which I felt wasn’t conveyed through their social channels. With a raw and ‘behind the scenes’ approach we held an in office talent show to showcase both the eccentric individuals and beautiful office space to further humanise the brand.

Instagram Video content for Ted Baker

_____

Ted Baker’s HQ has a unique atmosphere which I felt wasn’t conveyed through their social channels. With a raw and ‘behind the scenes’ approach we held an in office talent show to showcase both the eccentric individuals and beautiful office space to further humanise the brand.

 Instagram Video content for Ted Baker  _____  Ted Baker’s HQ has a unique atmosphere which I felt wasn’t conveyed through their social channels. With a raw and ‘behind the scenes’ approach we held an in office talent show to showcase both the eccentric individuals and beautiful office space to further humanise the brand.

Instagram Video content for Ted Baker

_____

Ted Baker’s HQ has a unique atmosphere which I felt wasn’t conveyed through their social channels. With a raw and ‘behind the scenes’ approach we held an in office talent show to showcase both the eccentric individuals and beautiful office space to further humanise the brand.

 Instagram Video content for Ted Baker  _____  Ted Baker’s HQ has a unique atmosphere which I felt wasn’t conveyed through their social channels. With a raw and ‘behind the scenes’ approach we held an in office talent show to showcase both the eccentric individuals and beautiful office space to further humanise the brand.

Instagram Video content for Ted Baker

_____

Ted Baker’s HQ has a unique atmosphere which I felt wasn’t conveyed through their social channels. With a raw and ‘behind the scenes’ approach we held an in office talent show to showcase both the eccentric individuals and beautiful office space to further humanise the brand.

 Instagram Video content for Ted Baker  _____  Ted Baker’s HQ has a unique atmosphere which I felt wasn’t conveyed through their social channels. With a raw and ‘behind the scenes’ approach we held an in office talent show to showcase both the eccentric individuals and beautiful office space to further humanise the brand.

Instagram Video content for Ted Baker

_____

Ted Baker’s HQ has a unique atmosphere which I felt wasn’t conveyed through their social channels. With a raw and ‘behind the scenes’ approach we held an in office talent show to showcase both the eccentric individuals and beautiful office space to further humanise the brand.


 Poetry Book Collaboration  _____  Editorial/Graphic Design project made in collaboration with artist Sean Coates.

Poetry Book Collaboration

_____

Editorial/Graphic Design project made in collaboration with artist Sean Coates.

 Poetry Book Collaboration  _____  Editorial/Graphic Design project made in collaboration with artist Sean Coates.

Poetry Book Collaboration

_____

Editorial/Graphic Design project made in collaboration with artist Sean Coates.

 Poetry Book Collaboration  _____  Editorial/Graphic Design project made in collaboration with artist Sean Coates.

Poetry Book Collaboration

_____

Editorial/Graphic Design project made in collaboration with artist Sean Coates.

 Poetry Book Collaboration  _____  Editorial/Graphic Design project made in collaboration with artist Sean Coates.

Poetry Book Collaboration

_____

Editorial/Graphic Design project made in collaboration with artist Sean Coates.


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 Heinz - You are what you eat  _____  The brief was to create intro and outro video bumpers for Heinz online content. Without focussing on a hero product it was a challenge to encapsulate Heinz in just a few seconds. Heinz sell a plethora of different products bought by millions across the globe. This thought planted the seed for me to explore the variety of both the products and the consumer.

Heinz - You are what you eat

_____

The brief was to create intro and outro video bumpers for Heinz online content. Without focussing on a hero product it was a challenge to encapsulate Heinz in just a few seconds. Heinz sell a plethora of different products bought by millions across the globe. This thought planted the seed for me to explore the variety of both the products and the consumer.

 Heinz - You are what you eat  _____  The brief was to create intro and outro video bumpers for Heinz online content. Without focussing on a hero product it was a challenge to encapsulate Heinz in just a few seconds. Heinz sell a plethora of different products bought by millions across the globe. This thought planted the seed for me to explore the variety of both the products and the consumer.

Heinz - You are what you eat

_____

The brief was to create intro and outro video bumpers for Heinz online content. Without focussing on a hero product it was a challenge to encapsulate Heinz in just a few seconds. Heinz sell a plethora of different products bought by millions across the globe. This thought planted the seed for me to explore the variety of both the products and the consumer.

 Heinz - You are what you eat  _____  The brief was to create intro and outro video bumpers for Heinz online content. Without focussing on a hero product it was a challenge to encapsulate Heinz in just a few seconds. Heinz sell a plethora of different products bought by millions across the globe. This thought planted the seed for me to explore the variety of both the products and the consumer.

Heinz - You are what you eat

_____

The brief was to create intro and outro video bumpers for Heinz online content. Without focussing on a hero product it was a challenge to encapsulate Heinz in just a few seconds. Heinz sell a plethora of different products bought by millions across the globe. This thought planted the seed for me to explore the variety of both the products and the consumer.


 The Stone Twins Interview  ____  Edit orial/Photography project visualising an interview between TypeRadio and The Stone Twins  (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

The Stone Twins Interview

____

Editorial/Photography project visualising an interview between TypeRadio and The Stone Twins (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

 The Stone Twins Interview  ____  Edit orial/Photography project visualising an interview between TypeRadio and The Stone Twins  (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

The Stone Twins Interview

____

Editorial/Photography project visualising an interview between TypeRadio and The Stone Twins (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

 The Stone Twins Interview  ____  Edit orial/Photography project visualising an interview between TypeRadio and The Stone Twins  (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

The Stone Twins Interview

____

Editorial/Photography project visualising an interview between TypeRadio and The Stone Twins (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

 The Stone Twins Interview  ____    Edit orial/Photography project visualising an interview between TypeRadio and The Stone Twins  (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

The Stone Twins Interview

____

Editorial/Photography project visualising an interview between TypeRadio and The Stone Twins (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

 The Stone Twins Interview  ____    Edit orial/Photography project visualising an interview between TypeRadio and The Stone Twins  (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

The Stone Twins Interview

____

Editorial/Photography project visualising an interview between TypeRadio and The Stone Twins (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

 The Stone Twins Interview  ____    Edit orial/Photography project visualising an interview between TypeRadio and The Stone Twins  (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).

The Stone Twins Interview

____

Editorial/Photography project visualising an interview between TypeRadio and The Stone Twins (an Amsterdam-based creative partnership founded by twin brothers Declan and Garech Stone).


MINIMISE

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 Crowne Plaza Brand Identity  _____  The brief asked to reposition Crowne Plaza from a corporate hotel into a brand that appeals to the young modern traveler. Inspired by the memphis design movement I proposed a new brand identity.

Crowne Plaza Brand Identity

_____

The brief asked to reposition Crowne Plaza from a corporate hotel into a brand that appeals to the young modern traveler. Inspired by the memphis design movement I proposed a new brand identity.

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 Penguin Book Cover Design  ____  This brief asked us to redesign the book cover for George Orwell’s Animal Farm. The illustration on the cover echoed key motifs from the book highlighting the cyclical nature of history at that time. The typeface used was inspired by the soviet propaganda posters. The repeated title was a subtle reference to the lines of commandments. the animals wrote on the wall of the barn.

Penguin Book Cover Design

____

This brief asked us to redesign the book cover for George Orwell’s Animal Farm. The illustration on the cover echoed key motifs from the book highlighting the cyclical nature of history at that time. The typeface used was inspired by the soviet propaganda posters. The repeated title was a subtle reference to the lines of commandments. the animals wrote on the wall of the barn.

 Penguin Book Cover Design  ____  This brief asked us to redesign the book cover for George Orwell’s Animal Farm. The illustration on the cover echoed key motifs from the book highlighting the cyclical nature of history at that time. The typeface used was inspired by the soviet propaganda posters. The repeated title was a subtle reference to the lines of commandments. the animals wrote on the wall of the barn.

Penguin Book Cover Design

____

This brief asked us to redesign the book cover for George Orwell’s Animal Farm. The illustration on the cover echoed key motifs from the book highlighting the cyclical nature of history at that time. The typeface used was inspired by the soviet propaganda posters. The repeated title was a subtle reference to the lines of commandments. the animals wrote on the wall of the barn.


 
 The Tickled Cow  _____  This brief focussed on a new Soho restaurant launch. A Full identity was created focusing on menu design and branding. The brand image has been thoughtfully considered to portray a fun and playfulness to avoid the cliché approach many bar and grill restaurants fall into.

The Tickled Cow

_____

This brief focussed on a new Soho restaurant launch. A Full identity was created focusing on menu design and branding. The brand image has been thoughtfully considered to portray a fun and playfulness to avoid the cliché approach many bar and grill restaurants fall into.

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 The Tickled Cow  _____  This brief focussed on a new Soho restaurant launch. A Full identity was created focusing on menu design and branding. The brand image has been thoughtfully considered to portray a fun and playfulness to avoid the cliché approach many bar and grill restaurants fall into.
 The Tickled Cow  _____  This brief focussed on a new Soho restaurant launch. A Full identity was created focusing on menu design and branding. The brand image has been thoughtfully considered to portray a fun and playfulness to avoid the cliché approach many bar and grill restaurants fall into.

The Tickled Cow

_____

This brief focussed on a new Soho restaurant launch. A Full identity was created focusing on menu design and branding. The brand image has been thoughtfully considered to portray a fun and playfulness to avoid the cliché approach many bar and grill restaurants fall into.


 From Endangered to Vulnerable  _____  Conceptual branding for an exhibition to increase awareness of the worlds most threatened species. The name was inspired by an article from the WWF celebrating that the Giant Panda has been downgraded from ‘Endangered to ‘Vulnerable’. Whilst this boasts good news I couldn’t help but feel saddened by the hopelessness of this minor success. The marque was inspired by old style scanimations, the suggestion of movement was to highlight the transition between the two states. I chose to use Tim Flach’s photography, he has constructed a powerful visual record of remarkable animals and ecosystems facing harsh challenges.

From Endangered to Vulnerable

_____

Conceptual branding for an exhibition to increase awareness of the worlds most threatened species. The name was inspired by an article from the WWF celebrating that the Giant Panda has been downgraded from ‘Endangered to ‘Vulnerable’. Whilst this boasts good news I couldn’t help but feel saddened by the hopelessness of this minor success. The marque was inspired by old style scanimations, the suggestion of movement was to highlight the transition between the two states. I chose to use Tim Flach’s photography, he has constructed a powerful visual record of remarkable animals and ecosystems facing harsh challenges.

 From Endangered to Vulnerable  _____  Conceptual branding for an exhibition to increase awareness of the worlds most threatened species. The name was inspired by an article from the WWF celebrating that the Giant Panda has been downgraded from ‘Endangered to ‘Vulnerable’. Whilst this boasts good news I couldn’t help but feel saddened by the hopelessness of this minor success. The marque was inspired by old style scanimations, the suggestion of movement was to highlight the transition between the two states. I chose to use Tim Flach’s photography, he has constructed a powerful visual record of remarkable animals and ecosystems facing harsh challenges.

From Endangered to Vulnerable

_____

Conceptual branding for an exhibition to increase awareness of the worlds most threatened species. The name was inspired by an article from the WWF celebrating that the Giant Panda has been downgraded from ‘Endangered to ‘Vulnerable’. Whilst this boasts good news I couldn’t help but feel saddened by the hopelessness of this minor success. The marque was inspired by old style scanimations, the suggestion of movement was to highlight the transition between the two states. I chose to use Tim Flach’s photography, he has constructed a powerful visual record of remarkable animals and ecosystems facing harsh challenges.

 From Endangered to Vulnerable  _____  Conceptual branding for an exhibition to increase awareness of the worlds most threatened species. The name was inspired by an article from the WWF celebrating that the Giant Panda has been downgraded from ‘Endangered to ‘Vulnerable’. Whilst this boasts good news I couldn’t help but feel saddened by the hopelessness of this minor success. The marque was inspired by old style scanimations, the suggestion of movement was to highlight the transition between the two states. I chose to use Tim Flach’s photography, he has constructed a powerful visual record of remarkable animals and ecosystems facing harsh challenges.

From Endangered to Vulnerable

_____

Conceptual branding for an exhibition to increase awareness of the worlds most threatened species. The name was inspired by an article from the WWF celebrating that the Giant Panda has been downgraded from ‘Endangered to ‘Vulnerable’. Whilst this boasts good news I couldn’t help but feel saddened by the hopelessness of this minor success. The marque was inspired by old style scanimations, the suggestion of movement was to highlight the transition between the two states. I chose to use Tim Flach’s photography, he has constructed a powerful visual record of remarkable animals and ecosystems facing harsh challenges.

 From Endangered to Vulnerable  _____  Conceptual branding for an exhibition to increase awareness of the worlds most threatened species. The name was inspired by an article from the WWF celebrating that the Giant Panda has been downgraded from ‘Endangered to ‘Vulnerable’. Whilst this boasts good news I couldn’t help but feel saddened by the hopelessness of this minor success. The marque was inspired by old style scanimations, the suggestion of movement was to highlight the transition between the two states. I chose to use Tim Flach’s photography, he has constructed a powerful visual record of remarkable animals and ecosystems facing harsh challenges.

From Endangered to Vulnerable

_____

Conceptual branding for an exhibition to increase awareness of the worlds most threatened species. The name was inspired by an article from the WWF celebrating that the Giant Panda has been downgraded from ‘Endangered to ‘Vulnerable’. Whilst this boasts good news I couldn’t help but feel saddened by the hopelessness of this minor success. The marque was inspired by old style scanimations, the suggestion of movement was to highlight the transition between the two states. I chose to use Tim Flach’s photography, he has constructed a powerful visual record of remarkable animals and ecosystems facing harsh challenges.

 From Endangered to Vulnerable  _____  Conceptual branding for an exhibition to increase awareness of the worlds most threatened species. The name was inspired by an article from the WWF celebrating that the Giant Panda has been downgraded from ‘Endangered to ‘Vulnerable’. Whilst this boasts good news I couldn’t help but feel saddened by the hopelessness of this minor success. The marque was inspired by old style scanimations, the suggestion of movement was to highlight the transition between the two states. I chose to use Tim Flach’s photography, he has constructed a powerful visual record of remarkable animals and ecosystems facing harsh challenges.

From Endangered to Vulnerable

_____

Conceptual branding for an exhibition to increase awareness of the worlds most threatened species. The name was inspired by an article from the WWF celebrating that the Giant Panda has been downgraded from ‘Endangered to ‘Vulnerable’. Whilst this boasts good news I couldn’t help but feel saddened by the hopelessness of this minor success. The marque was inspired by old style scanimations, the suggestion of movement was to highlight the transition between the two states. I chose to use Tim Flach’s photography, he has constructed a powerful visual record of remarkable animals and ecosystems facing harsh challenges.



 
 

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